You know that Darla quote from Season 1? "Do you know what the saddest thing in the world is? To love someone who used to love you." That's pretty much how I feel about the IDW comics. What the hell happened, comics?! You used to be at least decent reads even if not exactly adhering to canon! Sweet merciful Christ, the Spike comics are starting to make "Spike vs. Dracula" look like fucking Shakespeare. Kelley Armstrong's arc ruined everything after ATF. From the get-go Aftermath was just awful. Angel, the ultimate lapsed-lapsed-relapsed-lapsed Catholic vampire, moves into a fucking church?! Not just any church, but a cathedral with stained glass and everything that even a boatload of guilt and a century with a soul hasn't stopped Angel from hating. Even souled, Angel is kinda remorseless for attacking the Church (not to mention not having a hell of a lot of remorse for killing his own family), so him moving into one just does not jibe. Of course, him having sex in a three-way with Kate and that wretched Panther Girl while under the influence of Illyria's suddenly completely and totally female sex hormones didn't jibe either. (Now, a three-way with Spike and the zombified corpse of Lindsey? Yes, that would make perfect sense.) After that, Willingham and Williams, despite their claims of being fans of the show, wrote their stories like they'd never seen an episode, and then S8 effed up IDW's storylines, cue mad scrambling and flouncing, and the whole momentum of everything slowed to a soul-crushing crawl. Now, we've got Spike the series, a multi-year-series long plot that was in the making for two years that had to squeezed into 8 issues like I have to squeeze myself into skinny jeans... and the results of both are equally disappointing. What's sad is that, with Lynch, Spike's characterization is slowly recovering after being assassinated by Willingham and Williams, but it's just not enough to fix everything that was broken. I want to read the story that Lynch originally wrote, without the S8 references, without references to the other IDW comics post-ATF, without boundaries. I just want the story I've been waiting years for, the one that he used to get so excited talking about, the one where Spike and Dru meet again and you didn't know what the tone was going to be. I wanted something that isn't what I'm getting.
IDW had the chance to really show DH and Whedon up by writing good, solid stories that made an impact. Instead, they worried too much about profits and went with gimmicky writers (that sucked and sales declined sharply) instead of doing what they should of fucking done in the first place- either taken a break and let Lynch vacation and then come back with a story, or just get Tipton or Byrne to write the next arc. Instead of replacing Urru with the horrible artist they have now, why not just tap Dave Messina to do it? Why not go get anyone else!? How is it that a company that prides itself on winning accolades and awards for innovative art and storytelling cannot hold the same standards to its franchise comics that it does to its originals?! This is what's wrong with franchise comics!!1! ARGH!!!!!!!
Do you know what's saddest of all? There are old Dark Horse comics (like the old, old stuff that was coming out when the show was still on the air... you know the ones. The ones where they didn't give a single fuck the day they wrote them and were just using them to pad coffers) that are better than what Dark Horse and IDW are doing now. Hell, there are BtVS novelizations that are better than what either company is doing. What comes to mind are the one where the crossdressing Slayer's face was based on a feminized version of James Marsters and even the horrible Spike & Dru: Queen of Hearts comic. Oh, my heart... she aches.
One thing is for certain I am not touching S9. Not even gonna download it. I'm not going to look at it at all. If I do, I want someone to stop me and remind me of the pure hell that was Dark Horse's S8 and the nightmare of what IDW is currently doing to me.
In other news, reviews for Spike #3, #4, and #5 will be coming shortly as one long post. I'm currently doing revising because the first go around was nothing but a long stream of curse words followed by the sounds of me throwing my keyboard across the room.
From:
no subject
I very early on stayed away from Aftermath, Willingham and Williams arc. Same thing with Buffy Season 8. After the first couple of looks, I could see they were not for me. But I'm still enjoying Lynch's Spike now. Not perfect, but I'm enjoying.
From:
no subject
From:
no subject
You know that Darla quote from Season 1? "Do you know what the saddest thing in the world is? To love someone who used to love you." That's pretty much how I feel about the IDW comics. What the hell happened, comics?! You used to be at least decent reads even if not exactly adhering to canon! Sweet merciful Christ, the Spike comics are starting to make "Spike vs. Dracula" look like fucking Shakespeare. Kelley Armstrong's arc ruined everything after ATF. From the get-go Aftermath was just awful. Angel, the ultimate lapsed-lapsed-relapsed-lapsed Catholic vampire, moves into a fucking church?! Not just any church, but a cathedral with stained glass and everything that even a boatload of guilt and a century with a soul hasn't stopped Angel from hating. Even souled, Angel is kinda remorseless for attacking the Church (not to mention not having a hell of a lot of remorse for killing his own family), so him moving into one just does not jibe. Of course, him having sex in a three-way with Kate and that wretched Panther Girl while under the influence of Illyria's suddenly completely and totally female sex hormones didn't jibe either.
Wow! That sounds fucked up! I am so glad I decided not to read these comics.
From:
no subject
From:
no subject
I feel your pain. I wish I had just stopped reading after Jeremy told Spike that he thought Spike might be in love with Fred (and before the plot dropped its ugly bombshell about Fred not being back after all.) Even the decent bits of ATF are ruined for me now.
From:
no subject
From:
no subject
(And then duck as he crumples them up and throws them back in our faces.)From:
no subject
From:
no subject
From:
no subject
Somewhere, in this world, has to be an awesome Buffyverse comic. Somewhere that's anywhere but DH or IDW. *sigh*
From:
no subject
Only thing I can think is maybe the people just stopped caring when they were told to stick to shitty season 8 and cared even less when they found out that after doing all that, they still gave the rights back to DH.
One thing is for certain I am not touching S9.
The only way I see myself touching S9 is in the blatant troll capacity. :P If/When it turns out Spike's new ship has a Tommyknocker engine and the real reason he helped was to save his human fuel supply, I won't be able to stop myself from troll-wanking that it all makes perfect sense and is in character because Spike sided against the Native Americans, built the Bot and wore a blue shirt when Uranus squared Pluto in 1966. And it's just a metaphor anyway, 2deep4u? Yes, comics "discussions" still leave a bitter taste.
From:
no subject
As long as it's not the Langoliers. XD
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
I don't know if I'm going to subject myself to Season 9 or not. (I read better fanfiction.)
From:
no subject
From:
no subject
THIS.
We could explain to them 'til they're blue in the face, but I don't think the IDW staff will ever understand that we came to their comics to read about the further adventures of ALL THE MAJOR CHARACTERS FROM THE TV SHOW! That means Cordelia, Wesley, Gunn, Fred, Spike, Lorne, and Angel, along with the canon peripheral characters such as Harmony, Connor, Illyria, etc. We did NOT come to read about substitute characters and OCs. Nor did we come to read about canon characters written out-of-character to suit IDW's adolescent male fantasies. IDW (and Dark Horse, too) changed the 'verse into something so different that it's completely unrecognizable -- and completely unacceptable.
From:
no subject
I love to point to Auld Lang Syne as an example of really awesome franchise writing without worrying about canon. It's obvious that both vampires are souled, Spike's corporeal, Cordelia's dead, but we never learn when exactly this story takes place. Angel suddenly is a solo detective, and Spike's sorta off doing his own thing, both are still in L.A., and they come together and easily form a nice duo. The story is solid, and the voices are spot-on. There's no need to worry about canon or timelines because the mini-series stands nicely on its own. That's how franchise comics should be. Sticking to major elements already established by canon, and then picking a good launching off point. Angel's on his own? Well, let's not waste too much time explaining that. As long as he's in character as the audience remembers him with no major changes to him or anyone else, then the audience can make up their own minds about how he got here as that's not important. In a way, I think this is what S8 tried to do, but it failed because there were too many leaps from where the characters had been to where they suddenly where with no explanations. There's only so much an audience can stomach before the unanswered questions just become too much to stand.
From:
no subject
I have no idea why I stuck it out with Season 8.
From:
no subject
From:
no subject
From:
no subject
Another problem for both DH and IDW- neither company does full maquettes of the main characters nor do they have consistent style guides or design sheets. Buffy's hair is not piss-yellow. Buffy's eyes aren't really bright olive green. Spike's eyes are blue. Spike is not right-handed. Franchise comics just don't get the same kind of care that they probably deserve.
Of course, mistakes like this also happen on the show. In TGIQ, Angel described Buffy as being "blonde, blue-eyed." Allow me to quote Cordelia, "My eyes are hazel, Helen Keller." XD